Do you subscribe to TV service from the local cable company?

If so, you probably don’t need to worry. If you are a cable TV subscriber, no additional equipment beyond what you are using now should be necessary to continue viewing local stations. However, depending upon what type of programming package you subscribe to, you might not be able to view these channels exactly as they are broadcast using the new DTV standard. Cable companies often offer a cheap “basic cable” tier, which is only available in analog. While you won’t need any new equipment to continue viewing programming, you may also not be getting a high-quality digital picture in such a programming tier. If you want to watch local TV stations in High-Definition (HDTV), you will need an HDTV ready TV tuner. This is assuming that there are local stations in your area that offer HDTV programming and that the cable company passes this signal along without down-converting it to a picture of lesser quality. Call your cable TV provider to see if HDTV programming is indeed available in your area.

Do you subscribe to TV service from DirecTV or DISH Networks?

In 90% of the country, DirecTV and DISH Networks offer local TV channels via satellite. If this is the case, you should not need any additional equipment to continue viewing local TV stations. If you happen to live in a rural area (like where we live in Humboldt County) you might be out of luck when it comes to receiving local TV stations via satellite, since neither DISH nor DirecTV carry them. If you want to watch local TV stations in addition to satellite programming, you will need separate equipment. Keep reading for more info. HDTV programming is available in selected markets. You will need an HDTV capable TV if you want to watch these channels in high-definition though.

Do you have an outdoor TV antenna?

If you have an outdoor TV antenna that is mounted on a mast or other structure, you will need to make sure that it is capable of picking up UHF TV signals in addition to the “old” VHF band. Stations will be using different frequencies for the broadcast of digital television signals. Most of them will be in the UHF band. If your current antenna only picks-up (old) channels 2-13, you will likely need to upgrade to a new antenna.

Do you use “rabbit ears” to receive local TV stations?

Unfortunately, most people who currently receive a strong signal via rabbit ears or an antenna that is built-in to many older TV sets will need to upgrade to an outdoor antenna in order to continue receiving over-the-air signals. Why? Because many local TV stations are now broadcasting DTV signals using less power than they did before. Plus, the new digital television standard does not perform well at all in weak-reception situations. If you had marginal analog TV reception before, you will likely have NO digital TV reception now. Find a qualified, local installer for advice on what type of antenna you will need.

Do you have a newer, HDTV-ready TV set?

If so, congratulations! You should be able to watch local TV stations in both DTV and HDTV formats, assuming that you have an antenna that can receive signals from local TV stations reliably. HDTV reception is only available from stations that broadcast in high-definition. With others, you will receive DTV programming in standard digital TV resolution. The new DTV standard gives a better quality picture than you would receive in analog, but it isn’t the same thing as HDTV.

Do you have an older, analog TV set?

This is where things start to get expensive. Most TV sets that are more than 2-3 years old only receive channels in analog format. They are not capable of receiving digital television signals over the air without a special converter box. HDTV is not viewable on older, analog TV sets, due to their design. So, if you want high-definition, you will need to buy a new HDTV-ready TV set. If you wish to continue receiving broadcast television stations that have converted their signals to digital, you will need to purchase a DTV converter box. These are sold in electronics and appliance stores, and range in price from around $50 to well over $200. Pricing generally depends upon what type of extra features are available. Many have built-in program guides and other bells and whistles that will increase the cost. The converter box needs to be connected between your TV set and an external antenna. If you have an antenna built-in to your TV set, you will need to purchase a new outdoor antenna or an indoor antenna that is capable of receiving very weak signals. Regardless of your location, an outdoor antenna is always the better choice.

How do I know which channels I can receive?

Newer HDTV-ready TV sets and DTV converter boxes can scan all available frequencies to find what channels are available to you in digital or analog formats. If you have scanned through all available frequencies and not found any channels, you will likely need a better antenna and/or amplifier to improve your reception. There is no guarantee that you will be able to continue viewing your local stations. New transmitters may be using less power or be aiming the signal in a different direction than they were previously. Unfortunately, the only way to know for sure if you will be able to receive a signal is trial-and-error. There is no foolproof method of determining what signals will be available to you beforehand.

What type of antenna do I need?

If you have to ask, you probably should rely on a professional to pick an antenna for you. Retailers such as Radio Shack are typically NOT the best place to go to for advice. In many cases, you will be dealing with salespeople who know little more than you do about TV reception. So, unless you happen to know one of these people personally, I would not recommend relying upon their advice. Your best source of information is local TV antenna installer. Look in the yellow pages under “television” or “antennas” to find one. If you don’t see any listings in your area, the best place to look is in the listings for “satellite television”. Most professional TV antenna installers also install satellite TV equipment. Chances are that any company that has been in the business for 10+ years or installs C-Band or FTA (free-to-air) receivers either installs local TV antennas as well, or knows of someone who does. It is definitely worth a phone call. If you still can’t find anyone locally, I would suggest contacting a mail-order provider that specializes in selling antennas and that has technicians available to give advice. One retailer I would highly recommend is Solid Signal.

What else will I need?

Depending upon your location, you may need an external amplifier or amplified antenna in order to continue receiving a watchable TV signal.These are generally available at Radio Shack or other electronics retailers. If you are installing an outdoor antenna for the first time, you will also need to purchase an appropriate length of coaxial cable to connect the antenna to the TV or DTV converter box. High-quality, well-shielded RG-6 is usually the best bet when it comes to cable. We recommend using cable made by quality manufacturers, such as Belden. It is definitely worth the extra few cents per foot to purchase high-quality cable.

Be sure to check out the rest of our website at HDTV for more information on the digital TV transition, including tips on antennas, where to get free coupons for DTV converter boxes and much more.

Eureka, CA, February 24, 2009 - I was perusing KIEM-TV’s website earlier tonight when I ran across an interesting link to their policy on granting waivers to satellite television viewers (specifically DirecTV viewers) for reception of network programming at http://kiem-tv.com/waiver.html.

Basically, their policy is the same as the other local commercial television broadcasters in the area. If you need a waiver… you’re screwed. None of the local TV broadcasters will sign waivers for anyone, regardless of how bad their TV reception is.

KIEM specifically cites the FCC’s regulations about not needing to grant waivers in what are defined in Predicted Grade B Contour Areas. These are areas where anyone should supposedly be able to receive a TV signal, granted that they use an outdoor antenna placed 30′ above the ground. On it’s face, this rule actually sounds quite reasonable. Neither the FCC nor TV stations ever intended that viewers ever be able to view television programming from local broadcasters by using something as simple as a pair of “rabbit ears”, sitting on top of a television set.

Indeed, when early TV first began, there was a booming business in (outdoor) TV antenna installation. Over the years, the public has come to expect TV reception to be easy and hassle-free though. They don’t want unsightly antennas, ugly cables or silly wires cluttering their homes. This points to more of a need for a national attitude adjustment than it does a technical solution. If reception this simple is what Americans are waiting for, they are going to be sorely disappointed. It just isn’t going to happen. Not in our lifetimes, anyway. Those who want to receive a good over-the-air TV signal should be prepared to install a good antenna! It’s not politics; it’s simple physics, so get over it.

Back to the whole “Predicted Grade B Contour Area” issue though. As I stated, on it’s face, this policy seems like a logical and reasonable one. Unfortunately, the sad fact is, the technology used to create maps that show areas which fall into these contours is woefully inadequate. The standards that engineers use to create these maps has not really changed much in the past 100 years. Although computers are now used for map creation, they simply speed-up the same process that would normally take an engineer much longer to accomplish by hand.

With the exception of some very basic terrain calculations, very little real-world data is taken into consideration with these charts. Calculations are measured as if the earth existed inside a vacuum where no atmosphere, weather, earth curvature, man-made obstructions, vegetation, RF interference, multipath, solar flares or other factors ever enter into reality. To add insult to injury, these maps only show where it is allegedly technically possible to obtain “a signal”. This does NOT mean a watchable picture, or any type of signal that could reliably be used for the viewing of television pictures. It just requires that “a signal” of extremely minimal quality exists.

In fact, the FCC specifically defines the type of quality expected in a Predicted Grade B Contour Area. In one of its notices, it states: “…the values chosen for Grade B signal intensity account for location and time variability factors and predict that at least 50 percent of the locations along the Grade B contour will receive an acceptable picture 90 percent of the time. In this case, acceptable picture was considered to be TASO Level 3, defined as (passable) – The picture is of acceptable quality. Interference is not objectionable.”

Human Translation: In most areas, at best, your odds of receiving a “passable” signal by FCC standards (which most of us would probably define as a “really crappy picture”) – using an outdoor antenna placed on a 30′ mast, are 50/50… 90% of the time. Of course, these are only predictions, based upon completely inadequate data that is rarely accurate in real-world situations. Such an antenna set-up will likely set you back over $100, should probably be professionally installed and should have NO objects of ANY kind between itself and the broadcast station’s transmitting antenna. In other words, line-of-sight. Depending upon where you live, installation of a mast that extends 30′ from the top of your roof (which, for a two-story house, would be about 50′ off the ground) may also require you to obtain a building permit from your city or county, which could take months and cost hundreds if not thousands of dollars in building permits and increased property taxes. How many people can really afford that?

KIEM’s Grade B Contour Area is similar to that of other, local TV broadcasters (although, I believe that it might actually be outdated, and only show coverage areas for their older, and stronger, analog signal). Basically, if you live ANYWHERE in Humboldt, Del Norte or most of Trinity County, you are in a Grade B Contour area, according to the map. Those of us who have actually tried obtaining over-the-air TV reception in places like Trinity County will find maps such as those provided by KIEM-TV to be laughable, at best. With the new transition to DTV, the odds of obtaining a digital signal that could result in the reception of ANY type of TV picture AT ALL is diminished for the vast majority of viewers in outlying areas.

WHO’S TO BLAME FOR BAD RECEPTION?

It seems that everyone wants to point fingers in the broadcast industry. For it’s part, KIEM-TV seems to blame DirecTV for everything (strangely, they make no mention of DISH Network by name). Their position seems to be that since DirecTV promised their customers at one time that they would add local TV stations in every single U.S. market to their programming line-up, that they should be held to their word. Sounds fair enough, as DirecTV did, indeed backpedal on their promises. However, while KIEM makes it sound as if it they are blaming DirecTV out of their concern for viewers, that is almost certainly not the real reason for the finger pointing.

In reality, the main motivation behind KIEM’s attack of DirecTV is most likely due to the fact that without DirecTV footing the bill to uplink KIEM’s TV signal to their satellite, the station is not only losing potential viewers (which equals ratings, which equals money) but much more importantly, not receiving a monthly royalty check from the satellite TV provider in exchange for rebroadcast rights. KIEM gets a fat check from Suddenlink for rebroadcast rights to their subscribers each month, but not from DirecTV or DISH. Unfortunately, current FCC rules actually encourage local TV broadcasters to limit the availability of their over-the-air signals, since those receiving their programming via TV antennas pay broadcasters nothing. Those who receive their network programming via satellite, Suddenlink or other cable television companies end up having to pay broadcasters for their programming (albeit, indirectly) through increased subscription rates.

For it’s part, DirecTV aand DISH don’t seem to have anyone to blame, at least officially. DirecTV in particular, just blows-off it’s own customers by suggesting that local TV stations in Humboldt County will be included in the programming lineup “some day”. Whether they are just playing stupid, or there are employees at the company dumb enough to actually believe this, is questionable. Call a DirecTV customer service rep, and it’s quite possible that they will make local TV broadcasters out to be the bad guys, saying that their refusal to grant local waivers is unfair to TV viewers (which it certainly is). They will not acknowledge the fact that their own motivation NOT to carry these stations is due to the fact that it costs them more money to set-up and maintain the equipment alone than they could ever hope to recoup through subscription fees to the limited number of homes here.

So, who’s to REALLY blame? In my opinion, the real blame rests with the Federal Communications Commission. If it were not for the FCC’s ridiculous rules requiring local TV broadcasters to only provide a “Predicted Grade B Contour Area” (B should stand for Barely any signal at all) quality signal to local viewers without fearing competition from out-of-market TV stations carried by satellite TV providers, we simply would not be in this mess. If local TV broadcasters were held to a standard that made them provide an actual WATCHABLE TV signal in these areas, it would encourage them to provide their viewers with reliable access to programming, out of fear that they would be able to get it from elsewhere. This could be achieved through several means, most notably being the increased use of translators or requests to broadcast using increased power levels with radiation patterns that optimize reception in rural areas. Although the FCC has examined these issues in recent years, nothing positive has come out of it thus far. As it is, the transition to DTV has led to over-the-air TV signals being available to far fewer Americans than before, which is forcing more and more people to switch to cable or satellite TV just to receive programming from their local TV stations.

Just count the number of houses on your block with outdoor, over-the-air TV antennas as opposed to dishes or drops from the local cable company to confirm this fact. Even in areas that SHOULD have good local TV reception, most are forced to turn to cable or satellite for local or broadcast network programming.

ALL CABLE CUSTOMERS PAY EXTRA FEES FOR “FREE” LOCAL CHANNELS

This also applies to anyone who is able to receive local, commercial TV broadcasts on satellite services such as DirecTV or DISH Network in areas where local stations are available.

If you think that getting local channels on your cable system is free, you’re just kidding yourself. All cable TV providers such as Suddenlink have to pay commercial broadcasters to carry their signal under federal law. Of course, these added costs are going to be passed on to the consumer. You don’t think that the cable company is going to pay these extra fees out of their own pockets, do you?

The FCC states as much in their FCC Cable Television Fact Sheet. Just to make it as clear as possible, here is a direct quote from the FCC’s own literature:

Q: Will my cable bill increase as a result of retransmission consent agreements?

A: In return for allowing a cable system to carry its signal, a television station may require the payment of a fee or other consideration (for instance, carriage of another programming service or advertising time). Any new or additional costs incurred as a result of retransmission consent agreements may be passed through to cable subscribers.

The FCC needs to reconsider the current scheme in place that allows local TV stations to charge cable and satellite TV providers for rebroadcast rights to their “free” signals. After all, in theory, all that the cable and satellite broadcasters are doing is extending the reach of a TV station’s broadcast area and potential viewership, which should bring in more viewers, which should make them more money from advertisements. At least, that’s how it SHOULD work.

Unfortunately, the reality of the situation is that TV broadcasters see cable and satellite providers as alternative streams of income, and are positioning themselves to be more like pay cable channels than over-the-air broadcasters. Local TV stations used to rely upon the popularity of their programming in order to attract more viewers, which would generate better ratings, which would lead to increased profits. Under the current scheme, broadcasters don’t need ANYONE watching their programming in order to make money from cable and satellite TV providers. Rather than the public deciding through ratings what programming should stay on the air, this scheme encourages broadcasters to provide viewers with the least expensive programming they can find. Perhaps that’s why we only have a single local TV station in Humboldt County that bothers to broadcast local news (which is very expensive to produce) anymore.

The bottom line is, letting TV broadcasters charge rebroadcast fees to cable and satellite providers for their “free” signals only encourages these broadcasters to limit the quality and availability of local broadcast signals, hopefully forcing most viewers to resort to subscribing to cable or satellite, where they make much more money. This obviously runs contrary to their responsibility to serve the public interest, which they are obligated to do under federal law. This obligation results from the fact that they are using segments of the frequency spectrum, which are a limited, public resource.

Unfortunately, the FCC has all but forgotten that broadcasters are supposed to serve the public interest. Successive presidential administrations have made the Federal Communications Commission much more of a political policy tool than the enforcement and regulation entity they once used to be. Most major decisions at the agency these days are politically motivated, rather than being made on technical or legal grounds. United States courts have increasingly had to step-in in recent years to curb abuses of power at the FCC and force them to vacate their own rules, finding them to be unconstitutional. When it comes to the point where private citizens have to take federal agencies to court in order to prove that they are knowingly operating in direct violation of the United States Constitution, you really have to question their ability to act as an unbiased government regulatory agency.

WHY YOUR TV RECEPTION SUCKS… CONCLUSION

What it all boils down to is the fact that “free TV” isn’t really free for most of us anymore, especially for those caught in the middle of a pissing contest between the satellite and broadcast television industries. Unless Congress decides to step-in and force satellite TV providers like DirecTV to rebroadcast ALL local TV stations in the United States (which would result in skyrocketing satellite TV subscription prices, no pun intended), you can bet that those who live in areas with fringe reception will continue to be treated as second class citizens by both local broadcasters as well as satellite TV providers, and that the quality of television programming itself will continue to decline.

Apparently, the Federal Communications Commission received a number of complaints about the cable television provider when it decided to switch certain analog channels on its cable system to digital this past month. The FCC’s Enforcement Bureau launched an investigation into the matter and ordered Suddenlink to answer a number of questions and provide documentation on the matter via an official Letter of Inquiry (LOI). It gave Suddenlink two weeks to respond.

Rather than comply with the LOI, or even attempt to comply, some bonehead acting on behalf of the company decided to send back a letter questioning the FCC’s authority on the matter and actually accused the Commission of breaking federal law by not complying with the federal “Paperwork Reduction Act”, among other things. They also questioned the FCC’s authority to demand such information within two weeks, which they deemed not enough time. They never suggested exactly how much time they thought would be more appropriate. Three weeks, perhaps?

Anyone who has ever dealt with the Federal Communications Commission is well-aware that anyone falling under their authority (Suddenlink definitely does) who is stupid enough to question their judgment or jurisdiction is just asking for trouble. To put it mildly, the FCC has no sense of humor when it comes to these matters. The fact that someone this incompetent at Suddenlink has been put in a position responsible enough to respond to official inquiries from the U.S. Government simply boggles my mind. I am used to seeing these kinds of responses from dimwitted CEO’s of telecommunications resellers, but to see this coming from a licensed, facilities-based carrier is just plain scary. If the company was publicly-traded, I would advise dumping their stock immediately, as corporate incompetence such as this rarely results in a solid bottom line. As it is, I’m just lucky that I don’t have to suffer through being a Suddenlink customer.

In any event, the results were completely predictable. Suddenlink was issued an NAL, or Notice of Apparent Liability, for $25,000 for its part in thwarting the FCC’s investigation. An NAL is sort of like a speeding ticket. The company has the right to a hearing, but it’s pretty much just a kangaroo court that is run by the same people who ordered the NAL in the first place. You can’t fight city hall. Duh!

This may not be the end of the matter, by a long stretch. If Suddenlink continues to stonewall the FCC, the Commission will simply keep piling-on the fines. In theory, they could actually revoke Suddenlink’s ability to offer its services. I have to believe that there must be someone with an ounce of sanity at the company who will step-in before it comes to that though. Until then, Suddenlink customers will likely look forward to higher cable bills as a result of the NAL. After all, someone has to pay for the $25,000 penalty, and it quite certainly isn’t going to come out of the pockets of Suddenlink executives.

A copy of the NAL in Adobe Acrobat format is attached for your reading pleasure.

http://www.fcc.gov/suddenlink.pdf

There are actually quite a number of requirements you must meet in order to use the new service, which offers movies, news clips, documentaries and other content that is recorded directly to a customer’s DVR.

First off, DirecTV customers must lease a combination DirecTV receiver and DVR and subscribe to programming with DVR service. Downloading of any HD content requires the lease of a DirecTV HD-DVR, along with a subscription to their DVR service and HDTV programming option. DirecTV charges its customers an extra $9.95 per month in order to have access to any HDTV programming. This is in addition to normal programming subscription fees. The customer obviously must also have an HDTV capable television or converter box in order to view any HDTV content. Next, you will need access to a broadband Internet connection, as all Video On Demand content is actually downloaded via the Internet, rather than being received via satellite.

The service claims to currently have up to 4,000 titles available for download. This may sound like a lot, but actually looks pretty paltry when compared to the thousands of hours of programming available to DirecTV subscribers, who can already use their DVRs to schedule recordings months ahead of time. DirecTV was also the first programming provider to make its DVR features available to control via the Internet or cellphone, allowing customers to choose what they want to record from almost anywhere. DirecTV is offering this as a “free” addition to their regular programming, so it doesn’t cost anything extra to those who already have the above mentioned services.

Installation

Setup for the service is very straightforward if you already have normal DirecTV service up-and-running. An Ethernet port built into the back of most late model DirecTV receivers plugs directly into your broadband router. It will work using DHCP detection or can be programmed to use a static IP address. I was able to have the service activated and working in less than 5 minutes. It will likely take you longer if you don’t already have an Ethernet port available near your TV set. It is also possible to use a wireless broadband router in order to provide your receiver/DVR with Internet access. However, I would not recommend it due to the high transfer speeds and associated bandwidth bottleneck it would create on your network.

Once activated, you simply use your remote control to surf to channel 1000. From there, you are taken into a sub-menu, where you can browse programming by content type, genre or by individual channels. A number of networks such as The History Channel, HBO and Comedy Central have their own sub-sub-menus, which allows you to view all available VOD programming available from their respective networks.

The Bad News

Up until this point, I was pretty impressed with what I saw. It was only after I started taking a close look at what programming was available that I began to wonder whether this new service was really worth the effort. The most disappointing aspect of the service, by far, is the large number of movie titles that are only available via pay-per-view. From an economic perspective, this certainly makes sense. DirecTV isn’t making any “extra” money on this, unless you pay extra, so they have to have some type of “value added” programming. Still, the breadth and width of movies and TV programs that are classified as pay-per-view is rather staggering. Some of the movies on PPV are 20 or even 30 years old, and have been shown on network television for free on many occasions. Some network programmers, such as NBC, have also started charging for content that you can normally view for free. Personally, I find it rather insulting being asked to pay $1.99 just to watch a re-run of a network TV show. That’s just me though.

Another let down was the fact that there is no ability to sort through programming based upon what channels you already subscribe to. For example, almost all movies that do not fall into the PPV category are on premium movie channels like STARZ, HBO, Showtime, TMC, Cinemax, etc. Those listings will appear, even if you don’t subscribe to them. So, anyone browsing through the “movies” category that does not subscribe to DirecTV’s most expensive programming packages (which can easily run you well over $100 per month) will find very little that is available to them without paying extra.

Another disappointment is the lack of HDTV programming available to subscribers. Only a small percentage of DirecTV’s overall HDTV content is available via its VOD service. This is likely due to the high cost of bandwidth for transmitting HDTV content across the Internet. Even at broadband speeds, HDTV programs seem to take forever to download. It’s standard definition programming does not transfer all that quickly either. Even with the full bandwidth of a commercial T1 connection, waiting for features to complete downloading can be like watching a teapot and waiting for the water to boil. This is quite obviously not a real-time type of service. It’s nice for scheduling things to download well ahead of when you want to watch them, but not if you want to watch them immediately.

The Good News

The reason that titles take so long to download using this service can easily be justified by watching the final product. Since you are actually downloading an MPEG4 file, which is the same type of compression method used to transmit their programming via satellite, the quality of picture you will receive from their Video On Demand service is literally indistinguishable from DirecTV’s regular programming. In fact, other than the “VOD” label that shows-up next to each title, there is almost no way of telling the difference between programming you have recorded via satellite and VOD titles that you have downloaded over the Internet. They all appear right together when viewing a list of your recorded content.

One benefit of using DirecTV’s VOD service to download titles, rather than recording them to your DVR the traditional way, is that most titles currently have few, if any, commercial interruptions. So, DVR users who are used to hitting the fast-forward button to skip through commercials on recorded content can finally give their fingers a rest. Most shows have been re-edited to include a limited number of commercials, most of them being “teaser” ads for other network shows. It actually makes some network programming tolerable to sit through.

There is also a slew of exclusive content available to DirecTV VOD subscribers. Most of the titles we ran across were compiled by sources such as CNN. They have quite a number of interviews and short segments available that never quite made it on to their regular broadcasts. The presentation style seems to be much more laid-back than you would expect from some of these programmers. You are just as likely to see interviewers wearing a T-Shirt as a tie. I’m guessing that a large number of these shows will never see the light of day on regular television. The same can be said for many of the short clips you will find for reality shows and documentaries on other channels. There are a large number of outtakes, bloopers and other material that normally would never have gone any further than the cutting room floor. Enjoy it while you can. Once the mass public starts watching these services, we doubt that this type of programming will show-up anyplace other than YouTube.

Programming Pros and Cons

The programming you will find available from different programmers might not exactly be what one would expect. While some channels provide a wide array of programming that substantially duplicates what is available on their regular video channels, others provide only a small glimpse of what is available. For instance, while you will find a very good assortment of commercial-free movies available to you from HBO and Showtime (if you also subscribe to their premium movie services), you will find that others such as American Movie Classics don’t make ANY movies available for download. As for sports programming, you won’t find any. None of the national or regional sports channels have video on demand programming. Period. You will need to rely upon traditional DVR recording to catch any sporting events, unless they happen to be on pay-per-view.

Another programming oddity lies in the ability to download clips from some shows, but being unable to download the entire show. For example, while a number of clips from Comedy Central’s “Roast” series are often available for VOD download, you won’t be able to find entire shows from the series for download.

Probably the most frustrating thing for me is the inability to distinguish which programming is available to me as as a subscriber, and which isn’t. You won’t be able to download any programming from HBO’s Video On Demand service unless you subscribe to HBO, which makes sense. However, there are quite a few Video On Demand channels in the menu that I don’t even recognize. Some of these include The Smithsonian Channel, The Anime Network, Eurocinema, Film Festival, MGM, SONY, Warner Brothers, WWE, etc. New ones seem to be added all of the time. How do you know if you will be allowed to download programs on these channels or not? You won’t. You are seemingly allowed to schedule recordings on every channel that appears. If you are “eligible” to receive programming on these channels, the program will be downloaded for you. If you are not, the program will simply never appear. Seriously! There are no error messages or other menu help to clue you in on what you are allowed to download. Other than that, and perhaps your own memory (who can remember an exact list of the 200+ available channels that they subscribe to?), there is seemingly no way to tell which programs you are allowed to record, and which you aren’t.

The Bottom Line

Despite a number of programming “quirks”, if you already have DVR service with DirecTV and a broadband connection, this one really is a no-brainer. There is no extra cost involved and it takes only minutes to get up-and-running. The number of titles is limited at the moment, but everything we have read would tend to indicate that much, much more programming is on the way. While the service is definitely not something that would make me want to rush out and subscribe to DirecTV if I didn’t already have it, the superior programming, picture quality and customer service you will get as compared to cable is more than enough reason to make the switch.

DirecTV’s VOD service is a win-win situation for DirecTV, the programmers and consumers. If you don’t already have DirecTV, this is just another reason to make the switch from cable. I’ve been subscribing to DirecTV for well over 10 years now, and you couldn’t pay me to go back to cable. For those of you who have to have “everything” when it comes to television, this is about as close as you can get to TV Nirvana at the moment. If you can’t find something worth viewing with DirecTV HDTV service and video on demand, there truly is nothing to watch!

Update: This is just a brief update to the original article that I wrote above in 2008. Since I originally started viewing DirecTV’s Video On Demand (VOD) service, some additional technical issues have come to light. For starters, it seems that the original HR-22 HD-DVR receiver I started out with was a true lemon. It suffered from numerous “technical difficulties” during the few months that I owned it and finally had to be returned to the factory for replacement. I was sent a slightly updated version of the HR-22, which seems to have undergone some slight cosmetic as well as internal changes.

The cause of the old HR-22 having to be replaced was fairly obvious to me… a crashed hard drive. Unfortunately, I lost all of the pre-recoded content I had saved, including a number of pay-per-view events. The big loss here is due to the fact that DirecTV no longer allows you to save these events as long as you want on your DVR. They automatically “expire” after a certain amount of time, just as all DirecTV Video On Demand content eventually does.

As a side note, I had to pay a $20 shipping and handling charge to get the receiver replaced, even though it is technically a rented product. I have never understood DirecTV’s rental scheme. First, I had to pay $200 to (I thought) BUY the receiver. I didn’t sign any agreement saying that I agreed to “rent” the thing. After that, I have to pay an extra $5 per month to “rent” the HD-DVR FOREVER! To add insult to injury, activating the receiver that I paid $200 for puts me on the hook for the next TWO YEARS to pay an extra $10 a month for access to HD programming, whether you are able to view it or not. Strangely, DirecTV also gives you the option to pay another $6.95 per month for “insurance”, just in case you need help with a defective product of theirs. This seems more like the kind of scam that the cable companies or DISH Network would think of. It’s one of the few things about DirecTV that I really find myself insulted by, as a consumer.

On to more technical matters… I have found that not all video quality is created equal, when it comes to DirecTV’s Video On Demand service. Some “channels” on the VOD system seem of much higher quality than others. In particular, STARZ offers a huge selection of movies for download to those who purchase their service on DirecTV. Far more than any of the other premium movie channels. There’s just one problem… the video quality of their titles in standard resolution can be nearly unwatchable. I downloaded quite a number of STARZ movies on VOD that I had to quit watching after a few minutes, due to their awful video quality (or lack thereof). The problem was always the same. Video contained washed-out colors and blurry images. The blurriness was bad enough that it was difficult, if not impossible, to read any text that appeared in movie scenes. The quality difference was clearly visible when comparing it to the video on any standard resolution DirecTV channel.

Generally, poor video quality like this is usually the result of over-compression. That is, STARZ and/or DirecTV is likely trying to save money on bandwidth by purposefully reducing the picture quality in order to achieve faster download times. There really is no technical way to quantify the difference, due to the proprietary nature of DirecTV’s encoding system. However, the results are quite obvious to anyone that does not have severely impaired vision.

Another small “quirk” of DirecTV’s Video On Demand Service relates to volume control. For some reason, the audio levels of all programming downloaded via video on demand is significantly lower than that of DirecTV’s live, satellite programming. Unless you adjust the volume when switching from live satellite to video on demand, you will have a very difficult time hearing anything. Conversely, switching from video on demand titles to the live satellite feed will likely result in sound levels being so high as to severely annoy your next door neighbors. If you are unlucky enough to switch from a video on demand title to a live DirecTV channel during a commercial, you could be in for a very rude awakening, indeed. DirecTV raises audio levels during certain commercials so high as to make me worry about permanent hearing loss. The Federal Communications Commission bans this type of practice by over-the-air broadcasters, but it seems that DirecTV is immune from these regulations.

Speaking of which, I must admit that I no longer watch ANY DirecTV programming (that has commercials) in real-time, with the sole exception of news and some sports programming. Their blatant disregard for public safety by jacking up audio levels during their own commercials has finally pushed me to the point where I refuse to sit through ANY commercials on their service. Unless it’s a live event, I simply pre-record programs to my HD-DVR, then watch them later. I skip through ALL commercials using the fast forward button. It’s obvious that DirecTV itself is the one behind this, since the problem is worst during their own in-house ads. Some of these spots are promos for DirecTV, while others are simply those that they sell to other advertisers during time slots made available to them by the basic cable channels that they carry. Unfortunately, it’s impossible to know when or where these ads will appear, so I am simply forced to stop watching all ads that appear anywhere on DirecTV, or order to avoid the pain and suffering that results from the outrageously high volume levels of DirecTV’s ads.

So, a note to those companies that advertise on any of the networks carried by DirecTV. I DO NOT WATCH YOUR COMMERCIALS. EVER. IF YOU ARE PAYING DIRECTV FOR “ADVERTISING”, YOU WARE WASTING YOUR MONEY. As long as DirecTV continues their current eardrum torturing scheme, I will continue “boycotting” their advertisers. Not that DirecTV is the only company guilty of this. Most cable systems do the same thing. It doesn’t mean that I have to put up with it though.

The key feature I am talking about is something called analog pass-through, and it is not available on the majority of DTV converters that initially hit the market this year. Exactly what does this feature do? It allows those who install their DTV converters to continue watching analog broadcasts in addition to DTV signals.

You may have been mistakenly led to believe that all TV stations in the U.S. will go completely digital after February 2009. That isn’t the case. In fact, in many areas of the country a large number of stations will NEVER go digital. These channels are referred to as Low Power Television, or LPTV, stations. In essence, LPTV stations broadcast analog signals at power levels below that of larger “full power” broadcasters. In urban areas, many of these channels are occupied by religious broadcasters, shopping networks and a variety of independent stations. In rural areas such as Humboldt County though, these stations can be network affiliates and others who want to avoid the expense of going digital.

Without the analog pass-through feature on your converter box, you will not only immediately lose reception of local TV stations that are still in analog, but you will permanently lose access to all LPTV stations, unless they decide to go digital themselves one day.

Humboldt County currently has a number of LPTV stations, which are in addition to low-power analog translators that serve the most rural areas. Local LPTV stations currently consist of The Trinity Broadcast Network on UHF channel 47, KUVU (The CW) on channel 35, Univision on channel 31 and KEMY (MyTV network affiliate) on channel 33. Without the analog pass-through feature on your DTV converter, you will lose all access to these channels. The only way to watch them over-the-air would be to use some type of antenna selector switch, install two separate TV antennas or by manually swapping cables each time you want to choose between digital and analog stations.

So, when can we expect these LPTV broadcasters to switch to DTV or even HDTV? I’m tempted to say never, but never is a long time. Perhaps not during my lifetime though, since there is little to no incentive for these broadcasters to do so. As the vast majority of those in Humboldt County tune-in these channels via cable television, it simply is not cost effective at present for them to spend hundreds of thousands of dollars on digital broadcasting equipment to reach a relative handful of additional viewers. In fact, one could make the argument that it would actually be cheaper for those stations to pay for your subscription to cable TV than it would be to buy new transmitters for each station.

The Federal Communications Commission, which is the brainchild behind DTV and HDTV regulation, currently has no plans to force LPTV broadcasters to switch to DTV. Therefore, after February 29th, 2009, almost half of TV stations in Humboldt County will actually continue to broadcast in standard analog with no announced plans to switch to digital at all. In fact, Humboldt County will likely be one of the few communities in the United States with nearly as many local channels broadcasting in analog as digital after 2008.

With the majority of those who watch television in Humboldt County either subscribing to cable or satellite television, it would seem that the transition to DTV will have less of an impact in Humboldt County than possibly any other location in the U.S. When you take into consideration the fact that NO local channels have announced plans to broadcast in HDTV, it would seem that little change will be noticed in our area come February 2009.

RSS Headlines courtesy of Broadcasting & Cable Magazine, Copyright 2008. This website is in no way affiliated with Broadcasting & Cable, which is solely responsible for its own content.

• 84% of people surveyed know that the transition is happening.
• Almost one-half of those who need to do something to still watch TV on some or all of their sets had inadequate plans or no plans to address that problem.
• While more than one-half of those polled knew about the government’s converter-box-subsidy program, only one-third of those knew how to get the boxes.
• One-third of those who didn’t need the converter boxes or coupons were going to apply for them anyway.
• Some 464,000 ($40 Government) coupons have already expired without being used, or about 58% of the 800,000 that already reached their expiration dates.
• The NTIA’s Bernadette McGuire-Rivera stated that the NTIA has decertified about one-dozen retailers — she called them “bad apples” — that were putting consumers on waiting lists for boxes, getting them to “swipe” their cards so that they could collect the $40 subsidy and then keeping them waiting for boxes that never arrived.

More information on the report is available at Broadcasting and Cable Magazine.

Channels listed as “Digital” are transmitted via the cable system using a proprietary, encrypted digital signal format that can only be (theoretically) decoded by one of the company’s authorized cable tuners/converters/descramblers. The channel numbers shown on the display are not necessarily associated with a station’s original broadcast channel or frequency.

SuddenLink uses fiberoptic lines to carry their signals from one utility pole to the next. Once reaching the utility pole nearest your home it converts these pulses of light into a digital radio frequency signal that is directly connected to your cable box via coaxial cable. Internet and telephone service from SuddenLink reaches customers via digital signals that are carried along with TV signals on the same lines.

Channel No. Channel Name Type
2 KBVU-FOX 29 Eureka, CA Basic
3 KIEM-TV (NBC) 3 Eureka, CA Basic
4 Suddenlink Homesource Basic
5 KEMY-LP MNT 33 Eureka, CA Basic
6 KVIQ-CBS 6 Eureka, CA Basic
7 KAEF-ABC 23 Arcata, CA Basic
8 Local Education Basic
9 KUVU-LP CW 17 Eureka, CA Basic
10 California Channel Basic
10 Local Access Basic
11 Community Channel Basic
12 Community Channel Basic
13 KEET-PBS 13 Eureka, CA Basic
14 USA Expanded Basic
15 CNN Expanded Basic
16 CNN Headline News Expanded Basic
17 MSNBC Expanded Basic
18 CNBC Expanded Basic
19 Fox News Channel Expanded Basic
20 ESPN Expanded Basic
21 ESPN 2 Expanded Basic
22 Comcast Sports Net Bay Area Expanded Basic
23 QVC Expanded Basic
24 The History Channel Expanded Basic
25 The Learning Channel Expanded Basic
26 Animal Planet Expanded Basic
27 Lifetime Television Expanded Basic
28 TNT Expanded Basic
29 Home & Garden Television Expanded Basic
30 Discovery Channel Expanded Basic
31 Lifetime Movie Network Expanded Basic
32 VH-1 Expanded Basic
33 MTV Expanded Basic
34 CMT Expanded Basic
35 Arts & Entertainment Expanded Basic
37 Telemundo (satellite) Expanded Basic
38 Spike TV Expanded Basic
39 The Travel Channel Expanded Basic
40 E! Entertainment Expanded Basic
41 Sci-Fi Expanded Basic
42 Bravo Expanded Basic
43 FX Expanded Basic
44 Comedy Central Expanded Basic
45 Disney Expanded Basic
46 Cartoon Network Expanded Basic
47 Nickelodeon Expanded Basic
48 TV Land Expanded Basic
49 ABC Family Expanded Basic
50 Food Network Expanded Basic
51 Trinity Broadcasting Network Expanded Basic
52 Oxygen Expanded Basic
53 Discovery Health Channel Expanded Basic
54 The Weather Channel Expanded Basic
55 truTV Expanded Basic
56 Jewelry Television Expanded Basic
58 Home Shopping Network Expanded Basic
59 ShopNBC Expanded Basic
60 Access Television Network Expanded Basic
61 American Movie Classics Expanded Basic
62 Turner Classic Movies Expanded Basic
63 MTV 2 Expanded Basic
64 VERSUS Expanded Basic
65 Speed Channel Expanded Basic
67 Digital Preview Channel Expanded Basic
70 TV Guide Channel Expanded Basic
71 Wizebuys TV Expanded Basic
72 Humbolt Trading Post Expanded Basic
73 Product Information Network Expanded Basic
74 C-SPAN 2 Expanded Basic
75 Alpha Numeric & Weather Expanded Basic
76 C-SPAN Basic
77 TBS Superstation Basic
78 KEUV – LP 31 Eureka, CA Basic
99 NASA Expanded Basic
100 Discovery Kids Digital Discovery/Variety Tier
101 The Science Channel Digital Discovery/Variety Tier
102 Planet Green Digital Discovery/Variety Tier
103 Investigation Discovery Digital Discovery/Variety Tier
104 The Military Channel Digital Discovery/Variety Tier
120 Noggin Digital Discovery/Variety Tier
199 iN DEMAND Barker Digital Discovery/Variety Tier
201 Independent Film Channel Digital Movie Tier
202 Sundance West Digital Movie Tier
203 Encore West Digital Movie Tier
204 Encore Love West Digital Movie Tier
205 Encore Mystery West Digital Movie Tier
206 Encore Action West Digital Movie Tier
207 Encore Drama West Digital Movie Tier
208 Encore Westerns West Digital Movie Tier
210 LOGO Digital Movie Tier
220 Do-it-Yourself Digital Variety Tier
221 Fine Living Digital Variety Tier
222 Game Show Network Digital Variety Tier
223 Toon Disney Digital Variety Tier
224 Fuse Digital Variety Tier
225 MTV U Digital Variety Tier
227 SoapNet Digital Variety Tier
228 BBC America Digital Variety Tier
229 Hallmark Channel Digital Variety Tier
230 EWTN Digital Variety Tier
231 EWTN Espanol Digital Variety Tier
232 Three Angels Broadcasting Digital Variety Tier
233 MTV Jams Digital Variety Tier
234 Si TV Digital Variety Tier
235 Nick Toons Digital Variety Tier
236 The N Digital Variety Tier
237 MTV Hits Digital Variety Tier
238 VH-1 Classic Rock Digital Variety Tier
239 VH-1 Soul Digital Variety Tier
240 CMT Pure Country Digital Variety Tier
241 TV One Digital Variety Tier
242 CBS College Sports Network Digital Sports & Information
243 ESPN Classic Digital Sports & Information
244 ESPNews Digital Sports & Information
245 The Tennis Channel Digital Sports & Information
246 Fox Soccer Channel Digital Sports & Information
247 The Golf Channel Digital Sports & Information
248 Outdoor Channel Digital Sports & Information
249 ESPN U Digital Sports & Information
252 Bloomberg Digital Sports & Information
254 G4 Digital Sports & Information
255 History Channel International Digital Sports & Information
256 Biography Channel Digital Sports & Information
257 C-SPAN 3 Digital Sports & Information
258 Style Digital Sports & Information
261 National Geographic Digital Sports & Information
262 TVG Digital Sports & Information
300 HBO West Digital Premium
301 HBO2 West Digital Premium
302 HBO Signature West Digital Premium
303 HBO Family West Digital Premium
304 HBO Comedy West Digital Premium
305 HBO Zone West Digital Premium
306 HBO East Digital Premium
307 HBO Family East Digital Premium
308 HBO Latino West Digital Premium
320 Cinemax West Digital Premium
321 More Max West Digital Premium
322 Action Max West Digital Premium
323 Thriller Max West Digital Premium
330 Cinemax East Digital Premium
331 More Max East Digital Premium
340 Showtime West Digital Premium
341 Showtime Too West Digital Premium
342 Showtime Showcase West Digital Premium
343 Showtime Extreme West Digital Premium
344 Showtime Beyond West Digital Premium
350 The Movie Channel West Digital Premium
360 Encore West Digital Premium
361 Starz West Digital Premium
362 Starz Edge West Digital Premium
363 Starz in Black West Digital Premium
364 Starz Kids & Family West Digital Premium
365 Starz Cinema West Digital Premium
401 Toon Disney en Espanol Conexion Unica
402 Cartoon Network Espanol Conexion Unica
403 Discovery en Espanol Conexion Unica
404 MTV Tr3s Conexion Unica
406 CNN en Espanol Conexion Unica
407 Fox Sports en Espanol Conexion Unica
408 Telemundo (satellite) Conexion Unica
409 Telefutura Conexion Unica
410 Galavision Conexion Unica
411 Mun 2 Conexion Unica
412 Nick Toons SAP Conexion Unica
413 Nick Too Conexion Unica
414 Sorpresa Conexion Unica
415 The History Channel en Espanol Conexion Unica
416 ESPN Deportes Conexion Unica
417 TV Chile Conexion Unica
418 CineLatino Conexion Unica
419 EWTN Espanol Conexion Unica
420 Si TV Conexion Unica
421 De Pelicula Conexion Unica
422 De Pelicula Clasico Conexion Unica
423 Telehit Conexion Unica
500 iN DEMAND Barker Digital PPV
501 iN DEMAND 1 Digital PPV
502 iN DEMAND 2 Digital PPV
503 iN DEMAND 3 Digital PPV
504 iN DEMAND 4 Digital PPV
505 iN DEMAND 5 Digital PPV
506 iN DEMAND 6 Digital PPV
507 iN DEMAND 7 Digital PPV
590 Playboy Digital PPV
591 Blue Digital PPV
592 Blox Digital PPV
593 Spice:Xcess Digital PPV
594 Club Jenna Digital PPV
595 Clips Digital PPV
598 Playboy en Espanol Digital PPV
700 TNT HD HD Basic
708 ESPN HD HD Basic
709 ESPN 2 HD HD Basic
710 Arts & Entertainment HD HD Plus Tier
711 National Geographic HD HD Plus Tier *
712 Food Network HD HD Plus Tier
713 Home & Garden Television HD HD Plus Tier
715 HD Theater HD Plus Tier
717 Universal HD HD Plus Tier
718 HDNet HD Plus Tier
719 HDNet Movies HD Plus Tier
720 HBO HD West HD Premium
721 Showtime HD West HD Premium
722 Starz HD West HD Premium
901 MC – Sounds of the Seasons Digital Music
902 MC – Today’s Country Digital Music
903 MC – Classic Country Digital Music
904 MC – Blue Grass Digital Music
905 MC – Hip Hop and R&B Digital Music
906 MC – Classic R & B Digital Music
907 MC – R&B Soul Digital Music
908 MC – R &B Hits Digital Music
909 MC – Rap Digital Music
910 MC – Metal Digital Music
911 MC – Rock Digital Music
912 MC – Arena Rock Digital Music
913 MC – Classic Rock Digital Music
914 MC – Adult Alternative Digital Music
915 MC – Alternative Digital Music
916 MC – Retro-Active Digital Music
917 MC – Electronica Digital Music
918 MC – Dance Digital Music
919 MC – Lite Hits Digital Music
920 MC – Adult Top 40 Digital Music
921 MC – Hit List Digital Music
922 MC – Kids Only! Digital Music
923 MC – Party Favorites Digital Music
924 MC – Showcase Digital Music
925 MC – 90s Digital Music
926 MC – 80′s Digital Music
927 MC – 70′s Digital Music
928 MC – Solid Gold Oldies Digital Music
929 MC – Smooth Jazz Digital Music
930 MC – Jazz Digital Music
931 MC – Blues Digital Music
932 MC – Reggae Digital Music
933 MC – Soundscapes Digital Music
934 MC – Easy Listening Digital Music
935 MC – Big Band and Swing Digital Music
936 MC – Singers and Standards Digital Music
937 MC – Show Tunes Digital Music
938 MC – Contemporary Christian Digital Music
939 MC – Gospel Digital Music
940 MC – Classical Masterpieces Digital Music
941 MC – Light Classical Digital Music
942 MC – Pop Latino Digital Music
943 MC – Musica Urbana Digital Music
944 MC – Salsa y Merengue Digital Music
945 MC – Mexicana Digital Music
946 MC – Rock ‘en Espanol Digital Music

SuddenLink cable television listings for analog, DTV and HDTV channels.

AACS – Advanced Access Control System. A computer specification for guarding next-generation optical-media content created by the film, electronics, and software industries.

AC-3 – (see Dolby Digital 5.1)

Aliasing – Jaggedness that appears at diagonal edges of objects in a pixel or raster image. De-aliasing (anti-aliasing) is a smoothing of the jagged edges by blending adjacent pixels slightly.

Artifact – A flaw in an image caused by the way the data is processed. Interference and noise are not usually called artifacts. So artifacts are in a sense predictable.

Aspect ratio - The ratio of screen width to screen height. For TVs it is either 4:3 (1.33:1) or 16:9 (1.78:1). Theater film uses many different aspect ratios, some as high as 2.5:1.

ATSC – (Advanced Television System Committee technical standard) This is the name of the technology used by terrestrial digital TV stations in the U.S.

Blocking – Macro-blocking An over-compression of the image that makes the block edges slightly noticeable. This “checkerboarding” is subtle and usually momentary. Some causes are:

1. Software bugs in the MPEG encoder.
2. The neBlockstwork allocating too little bandwidth to the broadcast.
3. The picture being portrayed is just changing too fast.

Blocks - Macro-blocks MPEG-2 divides the screen into small square regions called blocks and uses a mathematical process to compress the data for each block. Macro-blocks are a small group of blocks. See What exactly is ATSC? .

BNC connectors – These common RF connectors are sometimes found on VGA cables in place of a VGA connector. They employ a quarter-turn twist-lock mechanism.

Bob and Weave – Two processes for de-interlacing (converting interlaced video into progressive scan). Weave refers to combining successive fields. Also called interfield, this method preserves the original resolution. Bob refers to up-converting a field into a frame, in effect creating new lines by averaging the adjacent lines above and below. Also called intrafield, this method causes a loss of resolution but never causes motion artifacts. See also Motion Adaptive De-interlacing.

Breakup – Also called dropouts, block errors, or macro-block errors, these are gross errors in the picture caused by reception errors that result from interference and signal noise. Both audio and video are affected, with video distortions about five times as prevalent as audio dropouts. This ratio never seems to change. If the ratio is anything else then the cause is a network problem, not a reception error. The shortest-lasting breakups just cause a few macro-blocks to be obviously wrong, while more severe errors cause major parts of the screen to be left un-updated for a time, and possibly the whole image to freeze. Green shows up a lot.

Cable card - The Cable Card is the mechanism the industry has adopted to prevent the piracy of cable services. Nearly all cable channels are encrypted, the main exception being local stations. The cable card contains the keys to unlock encryption.

If you want the simplicity that comes with the cable receiver being integrated with the TV then you should buy a TV with a cable card slot. However if you like TiVo then you would instead get a DVR, which will have its own cable card slot. The cable card is supplied by the cable company. The card is a special purpose PCMCIA card (like used in many computers).

The present cable card system for DTV is called CableCARD 1.0. There are two types of cards: SCards (single stream) and MCards (multiple stream). MCards are used when a DVR can record multiple programs simultaneously.

CableCARD 1.0 – lacks two-way features and cannot be used for ordering pay-per-view, interactive guide, and other two-way features. Millions of cable card slots in TVs already sold are going unused. Reasons include: 1. The viewer uses satellite. 2. The viewer doesn’t want subscription channels. 3. The user wants two-way features and so has to use a cable box. Some TV makers are reducing the number of sets they sell having cable card slots, but they say they will increase the number when two-way is possible. Two-way is not available because the technical standard is not yet established. (The CEA and NCTA are fighting each other and the FCC has been a timid referee.) Present DTV systems with CableCARD 1.0 are labeled DCR (Digital Cable Ready). Future DTVs will likely be labeled iDCR (Interactive Digital Cable Ready).

Warning: The term CableCARD 2.0 has two conflicting definitions. 1. CableCARD 2.0 was first used to refer to the next generation of cable services that included two-way features. 2. SCards were introduced first. Later, when MCards were introduced they were commonly referred to as CableCARD 2.0.

C-band / Ku-band – 1. a range of RF spectrum. C-band is approximately 4 GHz. Ku-band is app. 12 GHz. 2. Geo-stationary satellites the networks use to acquire and distribute programming to affiliates and cable TV companies. These satellites use C-band and Ku-band frequencies. 3. a consumer service that uses the satellites the networks originally set up for themselves. An 8-foot steerable dish is required. Some channels are free. Others are available by subscription. The digital channel subscription service is called 4DTV.

CEC - (Consumer Electronics Control) This feature allows units to control each other. The commands tend to be the same as the buttons of an infrared remote control, so fewer remotes are necessary. The implementation is a single-wire bus that is a “party line” connecting to all units. The HDMI cable carries this line.

CECB – Coupon Eligible Converter Box. An analog-to-digital DTV converter box that has been approved by the federal government for use with its $40 discount coupons.  Coupons are available from the U.S. federal government at http://www.dtv2009.gov .

COFDM - modulation technique. This technical standard has been used in Europe and other places for digital TV. 8VSB is used in the U.S.

Color temperature – This describes how white is displayed. Low temperature means slightly reddish, while high temperature means slightly bluish. Standard NTSC white corresponds to the color a glowing hot object would be at 6500° K

Comb filter – A circuit in NTSC sets that separates the color information from the brightness information.

Component video - This 3-wire convention was created for connecting DVD players to TVs or monitors. It avoids downgrading the signal to NTSC. The signals may be RGB or YPrPb. Some HD STBs have only component video output.

Composite video - This 1-wire standard contains all video information: intensity, color, and sync. The encoding is the same as NTSC, and thus has the “overlapping sideband” problem which sometimes causes wrong colors to appear.

Convergence – An adjustment that must be made occasionally to CRT sets. This adjustment makes the three colors coincide perfectly.

DBS – (direct broadcast satellites) These satellites are powerful enough to be received by an 18 inch dish. They use Ku-band and Ka-band frequencies. Companies that provide DBS services to consumers in the U.S. are DirecTV and Dish Network. Canadian DBS providers are Star Choice and Bell ExpressVu. Also called DSS. They typically broadcast in some type of digital format that is encrypted at the uplink and decoded by the receivers of authorized subscribers.

D-ILA – (Direct-drive Image Light Amplifier) (see LCOS)

DirecTV – One of the two major providers of DBS programming in the United States.

Dish Network - One of the two major providers of DBS programming in the United States.

DLP - (digital light processor). A technology for video projection, also call DMD (Digital Micro-mirror Device). It is a large chip with about a million tiny mirrors on its surface. The chip can tilt each mirror to vary the amount of light reflected off of it.

Dolby Digital 2.0 – This is a two channel (stereo or Pro Logic) version of Dolby Digital. It is often used by DBS systems.

Dolby Digital 5.1 – Also known as AC-3, it provides 6 channels of sound: left, center, right, left rear, right rear, and sub-woofer. It is also called “5.1 channels” since the 6th channel has reduced bandwidth. Dolby Digital 5.1 is the audio standard for all U.S. digital TV stations, most DVDs, some DBS programs, and many theaters.

Dolby Pro Logic Surround – This is a 4-channel analog system. During recording, the 4 channels are “folded” into 2 stereo channels. If played back without a Pro Logic decoder, it sounds like normal stereo. This format is becoming obsolete.

Dot Crawl – a common flaw in NTSC images caused by the “overlapping sidebands” problem. It consists of animated checkerboard patterns which appear along vertical color transitions.

DTCP - (Digital Transmission Content Protection) This is an encryption standard for IEEE 1394 that prevents the copying of first-run movies and pay-per-view events. DTCP is also called 5C Copy protection (in reference to the ‘five companies’ that license it).

DTS - An alternative to Dolby Digital. ATSC does not use DTS but some DVDs do. Most audio receivers that work with Dolby Digital also handle DTS.

DTV – (digital TV). Examples of DTV are DBS satellite services, digital cable TV services, and ATSC digital TV (over-the-air, broadcast) stations.

DTVLink – This logo is on equipment that has IEEE 1394 and DTCP.

DVB – (Digital Video Broadcasting) An alternative to ATSC used in most of the world outside the U.S. It has three different standards:

· DVB-T is for terrestrial (OTA) broadcasts.

· DVB-S is for satellite broadcasts.

· DVB-C is for cable broadcasts.

DVI - (Digital Visual Interface) This connector conveys HDTV image scanning signals in binary data form. The data rate is very high (1.65 Gb/s). Binary data is preferred by monitors that are not CRTs. DVI comes with a decryption option called HDCP which will decode encrypted programs such as first-run movies.

EDTV – (enhanced definition TV) Essentially DVD quality, it is a small step up from NTSC. An EDTV will convert all 18 ATSC formats to 480p.

FCC – (Federal Communications Commission) This is a Federal agency responsible for regulating radio wave usage and some other media. The FCC answers to Congress and also implements international radio standards.

Fire-wire – (see IEEE 1394)

First-surface mirror – Normal mirrors have the silvering on the back surface of the glass. First surface mirrors have it on the front. Cleaning a first-surface mirror must be done very carefully.

Flicker (or Twitter) - Flicker is a pulsating of the image, a flaw most noticeable in images drawn only 24 or 30 times per second. Flicker is usually only noticeable in bright whites.

FM – Frequency Modulation. An analog method of modulating a carrier wave (frequency) with an audio or video signal. Primarily used for transmission of audio and music.

FTA – “Free To Air” or “Free To All”. This is a digital satellite technology employing MPEG-2, but it is not compatible with DBS systems (Dish or DirecTV) or with Motorola Digicipher II (C-band 4DTV) and it doesn’t have a provision for encryption. At the present time the only high definition stations on FTA are PBS, Voom, The Outdoor Channel, and Movie Central. Lyngsat.com lists all the stations. Skyvision.com, FTAsatellite.com, and others sell receivers. The frequencies used are Ku-band and C-band. FTA’s forte is that it is cheap and very international. FTA is heavily used outside the U.S. FTA started becoming popular in the U.S. about 2002 among experimenters and immigrants. In the opinion of some people the rise of FTA is a mistake and HDTV might eventually kill it. It might survive in the U.S. market because of a need for an unregulated domain for international stations.

GLV – (Grating Light Valve) This is another contender to replace CRTs in projection TVs.

HAVi – (Home Audio Video Interoperability) This is a standard for 1394 bus audio and video devices. It is software that is required for the units to talk to each other. HAVi allows plug-and-play recognition of devices, interoperability, and brand independence.

HDCP – (High-bandwidth Digital Content Protection) This is a DVI decryption option. It will decode encrypted programs such as first-run movies. (It’s real function is to prevent unauthorized copying of programs.)

HD- Capable TV A standard definition set with a digital tuner. (This term was probably invented to confuse people.)

HD- Ready TV An HDTV monitor or TV that lacks a digital tuner.

HDMI – (High-Definition Multimedia Interface) This miniature connector is intended to replace DVI. It is backward compatible with DVI, and an adapter will connect it to a DVI unit. It has 19 pins and carries DVI plus digital audio. It also has a reverse data line (DDC) that allows the STB to sense the monitor’s state and native formats, and a control line (CEC) for system level control.

HDTV – (High Definition TV) A TV that displays 1280×720 pixels or better.

IEEE 1394 - Also called Firewire or iLink. Originally a serial bus for PCs, 1394 may or may not become the interconnection standard for DTV products. It is competing with HDMI. IEEE 1394 is a spec for a hardware interconnect plus a software shell. But additional software, such as HAVi, is required for connected units to actually talk to each other.

i.link – (see IEEE 1394) Sometimes referred to as “firewire”.

Interlaced scan – Historically, TV CRTs are interlaced, while computer CRTs are not. Interlaced means that the electron beam skips every other horizontal line, filling in the missing lines on the next pass. A frame is composed of 2 fields. One field is all of the odd numbered lines, and the other field is all of the even numbered lines.

Jack – A female connector, usually for audio or video connections.

Ka band – A range of RF spectrum centered around 30 Gigahertz. Historically never used, DirecTV and Dish Network are starting to launch satellites that use these frequencies. (The name comes from “above K band”. K band is a long established military band.)

Ku band – A range of RF spectrum centered around 12 Gigahertz. These are the principal frequencies used by DirecTV and Dish Network, although DirecTV will probably some day move entirely to Ka band. (The name comes from “under K band”.)

LCD – (Liquid Crystal Display) LCD is the most common flat panel display technology.

LCOS – (Liquid Crystal On Silicon) This is an LCD-like projection technology.

LFE - (Low Frequency Effects) Sub-woofer. The 6th channel in a 5.1 channel system.

Line Doublers – This device converts NTSC or 480i into 480p. Line doublers with motion-adaptive processing can to an extent turn a 30 frames/sec image into a 60 frames/sec image, thus removing some of the jerkiness and blurriness associated with motion.

LNA – Low Noise Amplifier. These were used in C-Band TVRO systems prior to the invention of the LNB. The only difference between an LNA and LNB is that the LNB downconverts the original satellite transmission frequency to a lower frequency for transmission through coaxial cable. There is lower loss in coaxial cable at these frequencies, making LNBs more efficient than LNAs.

LNB – (Low Noise Block converter) An LNB can be found at the focus point of a dish antenna. It is a low noise amplifier that also converts the signal to a lower frequency. (The original higher frequency would not travel very far in ordinary coaxial cable.)

Mosquitoes Fuzzy dots that can appear near sharp edges in MPEG and JPEG images, possibly looking like a swarm of mosquitoes. These artifacts are caused by over-compression or over-enhancement of edges.

Motion Adaptive De-interlacing The image is divided into regions where there is motion and where there is none. Areas of the image without motion are de-interlaced using “weave”, and areas with motion are de-interlaced using “bob”. See Bob and Weave.

MPEG-2 (Motion Picture Experts Group technical standard 2) This is a widely used standard for digital encoding of motion pictures. It typically achieves a 50 to 1 compression of data. It achieves this mainly by not retransmitting areas of the screen that have not changed since the previous frame.

MTS – (Multi-channel Television Sound) This refers to an analog NTSC TV equipped with stereo and SAP (separate audio program) features.

Multipoint convergence – Projection TVs with 3 CRTs require periodic adjustment to keep the 3 images perfectly aligned. Typically this is a simple 5 minute procedure the consumer must do every month or so.

Multi-path interference – Some neighborhoods are plagued with this problem: The signal finds more than one path to the antenna. Multi-path results from diffraction around the sides of hills and buildings. For NTSC sets this will result in ghosts: multiple images shifted laterally. For DTVs the result can be an unusable signal, even though it may be strong. The solutions are moving the antenna or selecting a very directional antenna. Newer generations of DTV receivers are better able to cope with multi-path.

Must-Carry – This refers to the legal obligation of cable companies to carry analog or digital signals of over-the-air local broadcasters.

Native format – Most DTVs will convert the 18 ATSC formats into 1 or 2 formats and will draw only those. For these sets, the ‘native’ format is 1. the formats the set will draw or 2. the original format. (These are contradictory definitions, but they reflect current practice. 1 is probably the preferred meaning.)

NTSC – (National Television System Committee technical standard) This is analog TV invented in 1946. NTSC has 525 lines (483 visible) interlaced, 60 fields per second. This (analog) standard is in use in North America, Japan, South Korea, Burma, Taiwan, the Philippines, and much of South America.

OAR – (original aspect ratio) Also called Letterbox format, OAR means that none of the image is clipped or squeezed. Unused parts of the screen are usually black.

OLED – (Organic LED) A new display technology. Somewhat resembling plasma, it uses organic Light Emitting Diodes.

OTA – (over the air) Analog or digital terrestial broadcasting of a television signal. Typically used to refer to broadcast television stations in North America.

Over-scan/Under-scan – Computer CRT monitors under-scan, which means they leave a thin black border around the image. TVs over-scan, which means a small part of the image perimeter is lost. (Digital displays don’t necessarily do either.)

PAL - (Phase Altering Line standard) This alternative to NTSC has 625 lines, interlaced, 50 fields per second. It is used in most of Europe, Asia (except USSR), Africa, and Australia, and parts of South America.

Pan-and-scan – A method of broadcasting a wide screen film on a 4:3 channel. Most of the time just the center of the image is shown. (The right and left edges are clipped off.)

PCM – (Pulse Code Modulation) or L-PCM (Linear PCM) This 2-channel digital audio standard is simpler than Dolby Digital.

Pixilation - What you see when you sit too close. (You see individual pixels.)

Plug – A male connector.

PrimeStar – An early attempt by Cox Cable to compete in the DBS market. It ran this KU band system in the United States for several years before folding, opting to concentrate on its cable television franchises. Its early demise was heavily fueled by an expensive anti-satellite-TV campaign launched by its cable television division. Since it was one of only two commercial DBS satellite television providers at the time, the ads largely served to discredit their own product.

Progressive scan – This is the opposite of interlaced scan.

PSIP data – (Program and System Information Protocol) This data is arranged as a table with multiple sub-tables. The data identifies the station name, what the sub-channels are, the program name, the following programs, content advisories, language options, and caption options. Some of this data is transmitted as often as 7 times per second.

PVP-OPM – Protected Video Path Output Protection Management. Downgrades computer video resolution or blocks the picture entirely if the connected display doesn’t support content protection.

PVP-UAB – Protected Video Path User-Accessible Bus. Encrypts video content as it passes over the PCI Express bus from the high-def disc to prevent other PCI Express devices from intercepting the video stream.

Rainbow effect – A side effect of delivering the image colors sequentially instead of simultaneously. DLP displays have this effect if they use a spinning color wheel or sequentially-firing LEDs. Most viewers are not bothered by the rainbow effect.

Raster – A group of closely-spaced lines whose brightness changes so as to appear to be an image.

RGB – 1. red-green-blue 2. a 3-wire standard (See component video) 3. a 5-wire standard (See VGA.)

RGBHV – See VGA.

Screendoor effect – If each pixel has a dark border around it, viewers who sit too close can see it. The effect is somewhat like looking through a screendoor.

SDTV – (standard definition TV) SDTV is 480i, which is approximately the resolution of NTSC and DVDs.

SECAM – (Sequential Color And Memory standard) This alternative to NTSC. This analog television transmission standard has 625 lines interlaced at 50 fields per second. It is used in the former USSR, France, and parts of Eastern Europe, the Middle East, and Africa.

SPDIF - (Sony/Philips Digital Interface) This is digital audio, and can be either coaxial cable or fiber optic.

Spotlight – A pay-television channel launched on C-Band by Cox Cable in the late 1980′s. It was intended to replace HBO as the main pay channel on all Cox franchises. Customer complains and lack of support from major studios led to an early death for this channel. It survived for less than 4 years.

STB - (Set Top Box) These include satellite receivers, cable TV receivers, OTA receivers, and various recording devices.

Sub-channels – OTA DTV stations can show multiple programs simultaneously, subject to the 6 MHz bandwidth limit. This is called multicasting.

SVGA – Super VGA. See VGA.

S-video – Also called Y/C, this two-wire standard keeps the color separate from the intensity signal, and thus avoids the overlapping sideband problem of composite signals. (Converting an NTSC signal to S-video gains you nothing since what was lost cannot be recreated.) Although the quality of S-video is close to component video, S-video cannot transport anything better than 480i.

Symbol rate – The symbol rate for ATSC is 10.76 million symbols/sec. 8VSB has 3 bits/symbol. After the error correction bits are removed the net transfer rate is 19.28 million bits/sec.

THX – 1. a standard that theaters try to meet. 2. equipment to help theaters meet that standard.

Toslink – A fiber optic cable standard.

Transponder – A satellite channel. There is often one program per transponder. Some transponders are wider than 6 MHz and can carry more than one NTSC program. Several digital channels can fit on one transponder.

TVRO – Television Receive Only. The earliest C-Band satellite television systems were referred to as TVRO systems. This was to distinguish the home dish reception systems from “uplink” dishes, which actually transmit signals to satellites, and thus require proper licensing from the Federal Communications Commission. The earliest systems were roughly the same size in diameter as uplinks, often being 10 meters, or around 20′ wide. Most early parabolic dishes also featured solid aluminum, steel or fiberglass reflectors, as opposed to mesh C-Band systems that became popular later on.

VC1 – VideoCypher 1. A legacy TV encryption standard invented by Macom/General Instruments. It was the first satellite television encyption standard to digitally encypt both the audio and video portions of an NTSC signal. Based upon the original 64 Bit DES encryption standard, it is now considered too weak an encryption scheme for transmission of sensitive data. Its use was very limited, due to the high cost of the technology at the time. The earliest adopters were the CBS Television Network for its network TV news feeds on C-Band, and NASA, which used the technology to encrypt video transmissions during space shuttle missions conducted for the United States Department of Defense (DoD).

VC2 – VideoCypher 2. One of the earliest encryption standards used in satellite television, primarily for C-Band signals. Introduced in the late 1980′s, it encrypts NTSC video using analog sync destabilization and audio using a proprietary digital format. It is still in use with some C-Band broadcasters.

VGA – a 5-wire standard interface, originally for computer monitors, now common for HDTV monitors. Usually the 5 wires are in one cable. The connector can be either a 15-pin connector or five BNC connectors. The signals are usually red, green, blue, horizontal sync, and vertical sync. But Y, Pr, and Pb can replace the colors.

Virtual channel number – This is the channel the consumer thinks he is watching. The actual (physical) channel is selected by a hidden mechanism.

YCrCb – Almost identical to YPrPb. If you connect a YCrCb unit to a YPrPb unit you might have to adjust the color slightly. YCrCb is an older standard uncommon for consumer connections.

YPrPb - Color representation requires three independent variables. CRTs prefer red, green, and blue. Ink jet printers prefer yellow, magenta, and cyan. NTSC encodes color as luminance (brightness), hue (color), and saturation (absence of white in colors). Storage media such as DVDs prefer Y, Pr, and Pb, where Y is luminance, Pr is red-Y, and Pb is blue-Y. This is because Pr and Pb can be at lower resolution and not degrade the image noticeably, thus saving storage space.

YPrPbHV – See VGA.

3:2 pull-down This is the process of converting a 24 frames/sec image into a 30 frames/sec image. Some line-doublers will reverse this process to acquire the original, and then re-perform it.

4DTV – This is a DTV subscription service for C-band and Ku-band. Transponders are digitally encrypted using a proprietary format.

5.1 channel – This is 6 channel audio. The 6th channel (the sub-woofer) has reduced bandwidth.

5C Copy Protection – See DTCP.

8VSB modulation technique – (8-level vestigial sideband) DTV stations in the U.S. use 8VSB modulation. This is an AM mode wherein the carrier is multiplied by an 8-level digital signal, and then a filter is used to remove all but the carrier and 6 MHz of the upper sideband. (“8VSB” is often used as a synonym for OTA.)

Portions of this document Copyright 2002-2009 by Ken Nist. The “document” includes all web pages at www.hdtvprimer.com. The author places no restrictions on the use of this document. It may be used by anyone in any manner for any purpose. Additional definitions copyright 2009 by Vantek Communications, Inc.

Among the channels listed is KBVU, a local broadcast station that is affiliated with the FOX Television Network (FOX 29). Strangely, KBVU does not actually broadcast a signal in HDTV, nor has it announced any plans to do so in the near future.

Unfortunately, SuddenLink Communications has no local phone number to contact them at. Every published number available for the company goes to an out-of-state call center and it is generally impossible to reach anyone locally by telephone. The company does not generally publicly disclose what rates they charge for their cable services, other than limited-time “teaser” rates, so we have no idea what any of their services cost. I receive (junk) mailings on the average of about once per week from SuddenLink, and I have never seen them make any mention of what their rates actually are.

We were unable to contact Eureka Television Group, the owner of KBVU-TV, by the time this article was published. We will let you know of anything we find out from them subsequently about the situation though. Fortunately, they do have a local telephone number.

Custom Search

We are still adding to this list, station by station.Hopefully, the page will be finished within the next couple of weeks. As they say in the TV industry… Stay Tuned!!!

Below is a list of all known television broadcasters in the Eureka, CA and Humboldt County markets. Many of these stations have secondary coverage that spills into Mendocino, Trinity and Del Norte Counties in Northern California as well. Some even spill into Southern Oregon. Also presented is as much pertinent data as we have on each station, including translators, HDTV availability, ownership, etc.

KIEM-TV 3
5060 Broadway
Eureka, CA 95503
(707) 443-3933 phone
(707) 442-1459 fax
e-mail: kiem-tv@humboldt1.com
Website: http://www.kiem-tv.com

Affiliations: NBC – National Broadcasting Company
Other names/slogans: “News Channel 3″, “The Spirit of the North Coast”, “Channel 3″
Current Ownership
Pollack/Belz Broadcasting, LLC
1811 England Dr
Alexandria, LA 71303-4115

Broadcast Availability:
VHF Channel 3 (Analog)
UHF Channel 16 (Digital) Currently a simulcast of analog signal on Channel 3. No plans for HDTV as of yet.

Cable/Satellite Availability:
DirecTV: Not Available
DISH Network: Not Available
C-Band, DBS, FTA: Not Available
SuddenLink Communications: Analog signal available on Channel 3 throughout its Humboldt County franchise area.

Translators (All currently NTSC Analog):
* K02OD Channel 2 Shelter Cove
* K04NX Channel 4 Garberville
* K04NY Channel 4 Rio Dell
* K07GJ Channel 7 Hoopa
* K08GR Channel 8 Willow Creek
* K10NU Channel 10 Miranda
* K11IQ Channel 11 Orleans
* K12JL Channel 12 Burnt Ranch
* K13MD Channel 13 Hyampom
(all cities above are in California)

Main Transmitter Coordinates:
40°43′49.4″N
123°57′11.1″W

Other notes: KIEM’s parent company Pollack/Belz Broadcasting, LLC also runs flagship station KLAX-TV, Channel 31 (UHF-NTSC), in Alexandria, LA, an ABC affiliate. In addition, P/B runs KWCE, a “Retro Television Network (RTN) affiliate in the same city on channel 27 (UHF-NTSC).

<strong>

KVIQ (CBS)
KEET (PBS)
KBVU (Fox)
KAEF (ABC)
KUVU-LP (CW)
KEMY-LP (My Network)

</strong>

ETG currently owns the vast majority of television stations in the Eureka, California market. These include KVIQ Channel 6 – a CBS affiliate, KBVU FOX-29 – a FOX Television Network affiliate, KUVU – the local CW affiliate and KEMY – a low-power station broadcasting material from the “MYTV” network.

In a nutshell, there are no TV stations in the Eureka, CA, market that are uplinked to, or available from, DirecTV or DISH Network. These are the only two companies legally allowed to offer network satellite television services to consumers in the United States. ETV will NOT grant satellite viewers waivers in order to receive network programming from other stations. So, if you live just about anywhere in Humboldt County where cable television or a broadcast signal is not available, you will likely not be able to view any type of broadcast network programming (legally).

For those of you who happen to live in “wired” areas of Humboldt County, SuddenLink Communications offers all local Over The Air TV channels (albeit in analog, with no plans for HDTV on their basic tier) for approximately $15 per month. SuddenLink is the only major cable television provider in Humboldt County, and covers most areas in and around the cities of Eureka, Arcata, Fortuna, Rio Dell, McKinleyville and a number of smaller, unincorporated areas. The majority of residents in Humboldt County have access to cable, since the majority live in and around the county’s major population centers. However, this is not to say that cable TV is available in most of the area of Humboldt County in a geographic sense. Travel more than 500 feet from any major road or street, and there is a 99% chance that cable television will be completely unavailable to you.

Broadcast availability is another matter altogether. This is largely dependent upon how far you are from the TV station’s broadcast transmitter, terrain and what type of equipment you are using for reception. The vast majority of Humboldt County falls into what the Federal Communications Commission (FCC) describes as a “Grade B Contour Area”. Generally speaking, this is defined as an area where a “watchable” signal should be available using an outdoor TV antenna placed at a height of 30′ above the ground.

Like most TV and FM stations in Humboldt County, ETG’s stations broadcast their signals from a transmitter facility atop Kneeland Mountain, which overlooks Eureka, Arcata and the more populated areas of Northern Humboldt County. The further away you are from Kneeland, the weaker your signal will be, generally speaking. When it comes to UHF and HDTV or digital television signals, you will most likely need line-of-sight in order to actually get a watchable signal. This is even more important when talking about low-power television (LPTV) stations, which 3 of ETG’s stations happen to be.

Having installed antennas in many parts of Humboldt County, I can say from experience that the FCC’s entire “Grade B Contour” requirement is entirely inadequate when it comes to checking for signal availability. These charts are generated by engineers using computers to determine where a signal should be available, but fails to take into account quite a number of variables that are detrimental to receiving a signal. Having a line-of-sight view of the transmitter tower on Kneeland, along with an adequate antenna system, is the only way to assure that you will have a watchable picture.

ETG’s signal coverage maps give at least a rough estimate of whether a TV signal will even be possible to receive in your area, so I highly recommend taking a look at them before spending any money on an antenna system.

Date: Thu, May 22, 2008 3:23 pm
To: tom@teletruth.org
Subject: “A View from the Digital Divide DTV Front”

I’m not really sure how to address the issues in the article, so I’ll just try making a few points and suggestions below. Many, if not most, of these points would not be understood by the average consumer, but that’s another matter:

Mistake #1 - Buying a converter at Best Buy. You are far better off buying online or via mail order from a company that specializes in broadcast or Over The Air (OTA) antennas than purchasing one art a mass market retailer like Best Buy. Probably the best place you can shop is at solidsignal.com . They have a wide range of boxes, many of which are cheaper than the one you purchased in the article. They also have excellent customer service and can make some useful suggestions by phone. You can also compare a number of boxes on websites such as amazon.com as well.

Mistake #2 - Listening to a salesperson at Radio Shack. Let’s face it, if someone really knew a lot about local broadcasting, they probably wouldn’t be working at Radio Shack to begin with. The suggestion for you to buy an in-line amplifier to solve your problem of lack of signal strength was just plain stupid. Radio Shack is no place to look for expert advice.

Mistake #3 - Looking for antenna installers. If you couldn’t find a few hundred antenna installers in the state of New Jersey, you were definitely looking in the wrong place. If you are going to use the Yellow Pages, try looking under “satellite television”. The satellite installers that have been around for a long time also commonly install broadcast reception antennas as well. They just don’t want to spend the money on advertising to the small audience that buys OTA antennas. In particular, look for a dealer that does more than just DirecTV or DISH Network only. The dealers that install C-Band dishes and do commercial installs are your best bet. They will know the inside scoop on your local broadcasters better than anyone at Radio Shack.

Mistake #4 - $300 for an outdoor antenna??? I’m not sure what antenna you bought, but if you are doing a self-installation it should not cost anywhere near that much. I bought my own OTA antenna from solidsignal.com and paid around $75. That antenna is longer than I am tall and provides far better reception than most people would ever need. Unless you are running more than 100′+ of coaxial cable, you shouldn’t need an amp and the rest of the costs (cable, connectors) are pretty minimal. It might be cheaper to figure out EXACTLY how much cable you need, then buy it by the foot at a local hardware store, rather than buying a whole spool or a 100′ length with the connectors already crimped on.

Mistake #5 - Assuming that the signal you get today is similar to the one you will get after analog broadcasting is phased out. The fact is, very few people are actually watching their TV via digital Over The Air broadcasts right now. Most of them are still tuning in the analog channels or get their signal from the cable TV company or by satellite. The broadcasters know this. Since many broadcasters are still “toying” with HDTV, quite a number of them are only broadcasting a digital signal on limited schedules or are using limited transmitter power to save money on electricity at the moment. After all, if they are simulcasting both digital and analog signals at the same time using the same amount of power they are having to pay DOUBLE the electric bill, which is a big concern for many small stations. I think you’ll find that once the old analog signals go away, you will see broadcasters start firing up their transmitters at full power. It makes quite a difference when a broadcaster goes from a minimal 50 Watts to a full 200,000 Watts.

Mistake #6 - Expecting to get the same number of channels that are on analog. I’m sure that there are quite a number of low-power (LPTV) channels that will never make the conversion to digital, because they simply can’t afford transmitters at this point. Quite a number of other stations simply don’t have their digital systems set up yet, or are only broadcasting on a limited basis. Quite a few of them will likely wait right up until the last minute to make the transition. Until then, you should still be able to receive them on analog. Bottom line… Don’t take “overlap” of analog and digital for granted! Expect one or the other, but don’t expect to get a perfect signal from both. After all, it’s not like you are actually going to watch BOTH the analog and digital version of the same channel.

Mistake #7 - Forgetting the past. People these days quite simply take getting a decent TV signal with little or nothing for an antenna for granted. It wasn’t always that way, nor was it ever intended to be that easy to get a picture. In the early years of TV broadcasting, an outdoor antenna was almost always required, but people weren’t complaining about it back then. The only reason that it is so easy to get a signal with “rabbit ears” these days is because the shift from TV receivers using tubes to solid-state technology has made pulling-in a watchable picture infinitely easier. Solid-state amplifiers are much more sensitive and produce much less “noise” than vacuum tubes. If you tried plugging-in a circa 1940′s TV set in the same location you are in right now with rabbit ears, you wouldn’t get any picture at all. If anything, it cost far MORE to buy a TV and antenna (when you take inflation into account) back in the “old days” than it does today. Broadcasters are already pumping out signals using hundreds of thousands of watts of power. It’s the consumer’s job to turn it into a watchable picture. TV was not initially designed to be that easy to pick up. Older Americans would probably be the first to remember this. To be honest, today’s generation has been rather spoiled after growing up with cable TV or satellite television. Over The Air reception will never compete with those technologies when it comes to how easy it is to get a “perfect” picture.

Mistake #8 - FCC testing of HDTV converter boxes. ALL boxes sold in the U.S. have to be granted FCC type acceptance prior to being imported into the country or sold. Some companies have gone through the additional steps of getting their products “certified” for use with the coupon program as well. As for “practical” testing, there really is no need for it. Nothing that happens in the world of broadcasting is anything more than a matter of math. An engineer can tell you exactly what signal level to expect at a specific location well prior to hitting the transmit switch. Most products these days are only “simulated” before going into mass production. Even airplanes. The FCC has already “done the math” on the issue and broadcast engineers have already calculated the specs each broadcaster would need to get the same coverage as they had previously and what specs receivers would have to meet in order to receive them. There is no guess work going on here. It is simple math.

Mistake #9 - I wouldn’t exactly call this a mistake, but more of a reality check. All electronics products eventually become obsolete. Some sooner than others. Just ask anyone who has owned a Betamax (or any VCR, for that matter), video disc player, CD mini-disc player, Digital Audio Tape players, 8-Tracks, cassette players, 78 RPM record players, Windows 95 or any number of other examples. Some products far, far more expensive than portable television sets have been pulled from the market after as little as a few months in the past. How about all of the people that rushed out at bought non Blu-Ray HD-DVD players are getting their money back? TV sets purchased in the late 1930′s still work today (albeit in black and white). I’d say that most of these people have gotten their money’s worth by now.

Let’s not forget that the broadcasters themselves are being forced to shell out millions of dollars on new equipment, and that the FCC has pushed back the final switchover date on HDTV numerous, numerous times in the past at their request. It’s either now or never. The rest of the world is passing us by. The previous delays have already led to our version of HDTV being a half-baked solution compared to newer technology. Let’s just get on with it. I hope you find some of this info useful.